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  • Date: 20-01-2012, 03:39
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Tonehammer Bowed Grand Piano KONTAKT reup

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Tonehammer Bowed Grand Piano KONTAKT reup
Tonehammer Bowed Grand Piano KONTAKT | 1.39 GB

Welcometo Bowed Grand Piano ?a library decided to deep sampling of bowed andFX based grand piano strings. Bowed Grand Piano marks the third chapterin our piano series, which also contains our hyper expressive:Emotional Piano? and more experimental: Plucked Grand Piano? Thebowing of a piano is a delicate effort, since the instrument is notdesigned to be bowed. We developed a variety of new recording techniquesthat allowed us to get deep inside the piano and record a variety ofbowings and FX that havent been covered in previous libraries.

Thelibrary is more ambient then our Emotional Piano and Plucked GrandPiano, since the concept of bowed piano tends to go in the moreambient/drony direction. We bowed every single string on a world classgrand, including both sustains and staccato notes. We then did a varietyof ambient recordings and started developing an entire drone section ofthe library, which is all based on source material from the piano. Inaddition we added a massive FX section to the library, which containstons of string glisses, scrapes, scary slams and percussive FX etc. Wealso programmed specific artificial legato, so users can experiment byusing legato on the instrument.

As die-hard art-weirdoes anddo-it-yourselfers, we here at Tonehammer are big fans of some of theearly classic piano experimentalism of the mid-20th century, where a fewbrave musical souls began to peel back the more rigid layers ofinstrumental dogma that had encrusted musical theory over roughly theprevious 100 years. Just as musical traditions are built over time, somust they inevitably and righteously be again dismantled for the good ofthe art form. This library is the second part of a 2-volume set thatexplores the Emotional Piano? in a few classic? unusual ways. Thisvolume is dedicated to bowed, as well as glisses, scrapes and othereffect.We captured super-long sustains on every note, with separateattack and release samples using a 3-meter-long deep sea fishing line tocapture the bowed notes.We then used picks, fingers, fingernails,mallets and other odds and ends to scrape, sweep, strike, grind andotherwise abuse the stings for our effects section.Then, we dove evendeeper into the sound, creating a huge pallet of custom drones,ambiences and tonal pad instruments, as well as a broad interface packedfull of of custom performance, tone and effect controls to allow plentyof creative freedom. After spending so much time and effort searchingout the right piano for our Emotional Piano library, we decided to keepit around for awhile longer.There were just some things that needed tobe done to it. The odd thing about bowing a piano string is that itsounds completely different than you would think it should. Its a hard,grinding and overtone- rich sound very different from the mammothsuper-cello that your mind expects to hear. As clean and precise as apiano is when played normally, bowing it reveals a whole differentbeast. The hard steel and brass-wound strings are much more apt toproduce sinister sounds than the smooth glide of a typical bowedinstrument. It growls, rumbles, pierces and evokes all manner ofharmonics, overtones and undertones. Notes bend and undulate deeply andthe entire flavor of the piano can shift from one string to the next.


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Tags: KONTAKT, Tonehammer

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